He opened instead of closed at Staples Center, leading many people to skip the Jacksons.
If for months it had been advertised that R. Kelly would headline 
Sunday's third and final night of the BET Experience at downtown L.A.'s 
Staples Center, you'd expect him to top the bill, right?
Of the evening's three acts – Kelly, the Jacksons and a version of 
New Edition featuring all six members – the "Ignition" singer was 
certainly the most imminently popular, a surefire choice to keep the 
arena packed until the concert's conclusion.
Yet, for whatever reason, Kelly appeared as this night's opening act,
 with New Edition next in line and the four active Jackson brothers as 
closers. Given that the last group has struggled to draw sizable crowds 
at recent smaller-sized gigs, the rundown made little sense, and the 
folly of it became blatant as droves of patrons left before the Jacksons
 had even delved into their most beloved hits, sadly reducing the 
audience to no more than one-fifth capacity.
That's not to say their show was a flop. "Can You Feel It" – led by 
Jermaine, same as with most of their tunes here – was a crackerjack 
opener and a mid-set medley of "I Want You Back," "ABC" and "The Love 
You Save" retained all the panache and vigor of the group's first 
appearance on Ed Sullivan's show in 1969. Cookin' covers of Michael 
Jackson's "Wanna Be Startin' Somethin'" and "Don't Stop 'Til You Get 
Enough" rounded out the evening with equally unrestrained energy.
But by the time those latter classics cropped up around midnight, 
there was hardly anyone left to enjoy them, with most remaining fans 
slouching in their seats as it went down. Such a shame might have been 
avoided by bumping them back to opener status, where those hits would 
have been perfect primers for Kelly's lauded lewdness.
He certainly delivered as a headliner should, filling a full 70 
minutes with what played out as an endless medley, drawing cheer after 
exuberant cheer with brief snippets of memorable cuts like "Snake," 
"Fiesta," "Flirt" and "Bump N' Grind." And a set-ending, full run 
through "I Believe I Can Fly" reminded why, despite any controversy he 
has stirred in recent years, Kelly ranks among the top-selling R&B 
artists of the past two decades.
Even his signature ad-libs – singing in exaggerated falsetto about 
how badly he needed a towel to wipe the sweat from his face – were 
impressive. He may have just been "winging it," as he mentioned a couple
 of times, but those pipes are solid gold no matter what.
A more redemptive performance this night, however, came from New 
Edition's Bobby Brown. During the boy-band progenitors' playful member 
intros, the often embattled star made it clear he had something to 
prove.
"I know most of y'all think I'm crazy," he said, "but from now on I wanna be known as one thing: Bad. Ass. Bobby. Brown!"
To that effect, he didn't disappoint in the slightest. His singing 
and synchronized moves were shockingly sharp throughout rousing runs of 
"Jealous Girl" and "Roni," where his husky howls and haughty hip-shaking
 drew massive cheers.
By all rights, the rest of the group's performance – which shifted 
between five and six vocalists, sometimes swapping out Brown for the 
five-man formation featuring Johnny Gill – proved the outfit's prowess 
was this evening's true highlight.
"Candy Girl," a stylistic tribute to forbears like the Jacksons, left
 the audience exultant after an arena-wide dance party. The soft croons 
on "Can You Stand the Rain" made middle-age women scream like smitten 
teens. And the fierce funk of Brown's "My Prerogative," followed by the 
concluding one-two mash-up of "Do Me" and "Poison," showed how this 
group skillfully and strappingly anticipated so many movements in 
hip-hop and R&B. Given the ferocity of this infrequent reunion 
appearance, they could still rule the stage for many years to come.
For the final night of this hat-trick extravaganza, it was 
understandable that BET wanted to offer a legacy experience tracing 
influences from newest to most historically legendary. But by cashing 
out primo talent too early, and without anything special left in the bag
 – an MJ tribute with Janet on board really would have done the trick – 
these cards fell into a faltering fold.
 

 
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